Adapting Nineteenth-Century France: Literature in Film, by Kate Griffiths,Andrew Watts

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By Kate Griffiths,Andrew Watts

Adapting Nineteenth-Century France makes use of the output of six canonical novelists and their recreations in a number of media to push for a re-conceptualisation of our method of the examine of edition. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne exhibit themselves no longer as originals to be defended from adapting fingers, yet shaped from the tailored voices of a bunch of previous artists, moments and media. The textual content analyses re-workings of key nineteenth-century texts throughout time and media which will underline the best way such re-workings forged new gentle on a lot of their resource texts and exhibit the probing research nineteenth-century novelists adopt on the subject of notions of originality and authorial borrowing. furthermore, Adapting Nineteeth-Century France lines their next recreations in a similar diversity of genres, encompassing key smooth media of the 20 th- and twenty-first-centuries: radio, silent movie, fiction, musical theatre, sound movie and television.

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